For Darryll Bess, art and fashion have never been separate worlds. They are two creative languages that intertwine, allowing him to tell stories that go beyond canvas or clothing. Born and raised in the Virgin Islands, Bess is carving out a space for himself as both an artist and fashion designer, bringing bold Caribbean narratives to the global stage.
When asked what first drew him to pursue both disciplines, Bess is quick to frame himself as an artist first. “Fashion, for me, is another medium,” he explained. “It is a way for my art to live beyond the wall, to be worn, carried, and even collected.” That realisation came to him through projects where he noticed his designs were not just clothing, but statements. Some clients treated the pieces as if they were art themselves, hanging them in collections rather than closets.
While his work in art and fashion are connected, the creative process for each is distinct. “When I’m painting, it’s about expressing something internal, abstract, personal. But when I design clothing, I also have to think about form, movement, fabric, and how it will exist on the body,” he said. “I can’t just use any type of material because the fabric itself determines how far I can push the design.”
Bess’s heritage plays a central role in his aesthetic. Growing up in the Virgin Islands and being surrounded by Caribbean culture gave him a lens through which to tell stories that are not only vibrant but layered. “I don’t just want to fall back on the typical cultural motifs,” he noted. “A lot of what I create is personal, but it is also influenced by our history, our environment, and the complexity of Caribbean identity. That is the story I want to communicate through both my art and fashion.”
Like many creatives, Bess acknowledges the tension between expression and commerce. Fashion is a global industry that demands marketability, while art thrives in personal freedom. “There’s always that balance,” he admitted. “You want to maintain your voice, but you also need to think about your audience and the business side of things. For me, it is about not compromising the truth of the work, even when it has to fit within a commercial context.”
In ten years, Bess sees himself evolving into larger, more ambitious projects that integrate both of his passions. His dream collection, he shared, would be built from the ground up. “It would bring together colour, texture, history, a fusion of Caribbean complexity presented at the highest level of fashion.”
He is also keeping an eye on how technology, including artificial intelligence, is reshaping the creative industries. While he is cautious, he recognises its potential. “Digital tools are already changing how we think about design. The challenge is making sure it enhances creativity instead of replacing it.”
Bess work has already reached significant platforms. His designs have appeared at events like Summer Sizzle, where Caribbean fashion meets international exposure. “Those moments were learning experiences as much as they were accomplishments,” he reflected. “They pushed me to grow and see what is possible.”
With years of experience under his brand, Bess has steadily built his reputation and body of work. Yet he remains grounded in his vision: to create pieces that are both expressive and wearable, infused with culture yet reaching beyond borders.
Asked what advice he would give to aspiring artists and designers, Bess stressed authenticity. “Find your voice. Don’t chase trends or demographics, your audience will find you. The most important thing is to stay true to what you want your art to communicate.”
For Bess, the journey continues to be about expression, identity, and innovation. In his hands, fashion is more than fabric, and art is more than canvas. Together, they form a conversation that tells the story of a Caribbean creative carving his place in the world.
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